Hand carving. Run your finger along the carving. Is it bumpy or smooth? Hand carving is uneven and asymmetrical. Machine carving is smooth and symmetrical.

Dovetailing. Handmade 18th century dovetails are large and uneven. Machine-made dovetails are thin and even.

Construction. Phillips screws, staples and fiberboard are all tip-offs to reproductions. On antiques with large surfaces (tables, trunks, armoires), furniture makers used wide boards with an uneven width. Reproductions use narrow boards with an even width.

Gluing. On older pieces, cabinetmakers would reinforce glued joints with dowels, mortise and tenon etc. to ensure that they were good and sturdy. Poor quality reproductions will often only be glued which down the road will lead to them falling apart. Slip a piece of paper between the joints to see if it is reinforced.

Hardware. Vintage hardware has patina. It doesn’t have a lacquer finish to protect it from tarnishing and it isn’t shiny and new looking.

Rebuilt/refurbished/reproductions . Rebuilt furniture has some new elements added to it such as new shelves, backs on an armoire. It’s common in a lot of French country furniture around today. Refurbished furniture has been restored. Either the wood has been refinished or the upholstery, caning, rushing replaced. Reproductions have no old aspects. They are completely new. Whether something is rebuilt, refurbished or a reproduction is not necessarily a negative, just as long as you are know that you’re not buying an antique in original condition.

Insert caning versus hand caning. Inset caning (post 1900) has a spine bordering the caning. Hand caning (pre-1900) doesn’t have a border. Every now and then, hand-caned pieces were converted to inset caning when a hand-caner was not to be found. Check the underside of the piece to see if it’s been converted. The underside will reveal a series of holes that were used for the hand caning.

Buying reproductions. Buying good quality reproductions eliminates the frustration of hunting for the right piece. Having something custom made ensures you get exactly what you want. For example, the narrow dimensions of antique armoires 15 to 17 inches don’t suit today’s electronic equipment. Some dealers, including myself, do offer custom reproductions to overcome this predicament.

Buying antiques. The good news about antiques is they can be less expensive than reproductions because you’re not paying for materials and labor costs at today’s prices. Plus, each antique has a history. The patina, nicks and bangs on antiques reveal a full life of use just as the wrinkles on the face of an elderly person reveal a life that has been fully lived.

Martin Swinton lives in Toronto, Canada and owns Take-A-Boo Emporium, a popular local antique shop. He has appeared on a variety of television programs and teaches courses on antiques. Contact him at www.takeaboo.com